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Company of Fools: The Genre of “Amadeus” — Sean P Carlin
In a recent podcast, the custodians of Save the Cat! offered a very thin and unconvincing assessment of Birdman’s genre classification, the essence of which was this: “Look—Michael Keaton’s got a Life Problem! He goes about fixing it the Wrong Way! Clearly this is a Rite of Passage!” In a serendipitously timed blog post, I […]
Sean P Carlin